“Free me of my metonymy”: Transcending the Political Symbol in Mahmoud Darwish’s The Butterfly’s Burden

Romane Berthelot-Frankard '25

Literature & Classics, Mathematics, Physiology

In a time of displacement, brutality, and occupation, Palestinian poet Mahmoud Darwish emerged as a poetic emblem of anti-colonial resistance. Fifty years later, he would be faced with cardiac complications, a still-persecuted homeland, and a voice not entirely his own. Inspired by this “late phase”, my thesis analyses The Butterfly’ s Burden - an anthology which mediates between a duty towards collective advocacy and the desire for a personal, aesthetic explorations.

What drew you to explore this topic?

I chose this poet first and foremost because he’s a wonder, and I think the libraries of the world are richer for his contributions. But also, his work resonates with the ongoing genocide in Gaza: it suggests that from those who will survive, many will turn to art in need of a voice —one that should serve not only activism, but also artistic freedom.

What’s the next chapter in your journey post-graduation?

I will be doing my first masters at Trinity College Dublin in the fall to study Comparative Literature.

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